Kathe Burkhart
From the Liz Taylor Series

Curated by Piper Marshall
4 January to 24 February 2018
745 Fifth Avenue

KATHE BURKHART
Born in Martinsburg, West Virginia, 1958.


EDUCATION
California Institute of the Arts, Valencia, California, B.F.A., 1982, M.F.A., 1984.

Lives in New York City and Amsterdam.


SELECTED SOLO SHOWS

2018
Mary Boone Gallery, NYC, NY. From the Liz Taylor Series.

2016
Fierman, NYC, NY. Drawings.
Fri Art Kunsthalle Fribourg, Fribourg, Switzerland.

2014
Galerie Annie Gentils, Antwerp, Belgium. The Dead Celebrity and The Living Doll.

2013
OSMOS Address, NYC, NY.
Galerie Lumen Travo, Amsterdam, The Netherlands.

2012
80WSE Galleries, New York University, NYC, NY.

2011
EXILE, Berlin, Germany. Ubercunt. Selections from the Liz Taylor Series & Other Works.
Galerie Annie Gentils, Antwerp, Belgium.

2010
Galerie Lumen Travo, Amsterdam, The Netherlands.

2008
Galerie Annie Gentils, Antwerp, Belgium. Women & Children First.
Galerie Lumen Travo, Amsterdam, The Netherlands.

2007
MoMA PS1, Long Island City, New York.
Alexander Gray Associates, NYC, NY.

2006
Galerie Lumen Travo, Amsterdam, The Netherlands.

2005
Moti Hasson Gallery, NYC, NY. Hard Core.

2004
Mitchell Algus Gallery, NYC, NY. Selected Early Works, 1984-1994.
Schroeder Romero Gallery, Brooklyn, New York. Selections from the Torture Paintings 1992-2001.
Galerie de Lege Ruimte, Ghent, Belgium. Stillevens & Other Works.

2003
Participant Inc., NYC, NY. Numbers & Letters.
Mitchell Algus Gallery, NYC, NY. Paintings.
Schroeder Romero Gallery, Brooklyn, New York. Works on Paper.

2002
Galerie de Lege Ruimte, Ghent, Belgium. American Women.

2001
Roger Vandaele Editie, Antwerp, Belgium. Prints and Drawings.

2000
Shores Space, Amsterdam, The Netherlands. Dutch Comfort.

1999
Galerie de Lege Ruimte, Ghent, Belgium. Paintings, Drawings, and Videos.

1997
Galerie de Lege Ruimte, Ghent, Belgium. Selected Works.
Musea voor Schone Kunsten, Bogardenkapel, Cultuurcentrum Brugge, Bruges, Belgium. Constriction II.
Serge Sorokko Gallery, NYC, NY. Selected Works from the Liz Taylor Series.

1995
Stelling Gallery, Leiden, The Netherlands. Bad.

1993
Dennis Anderson Gallery, Antwerp, Belgium. Iron Hand in a Velvet Glove: Selected Paintings from the Liz Taylor Series.
Galleria in Arco, Turin, Italy. Velvet Revolution.
White Columns, NYC, NY. White Room.

1992
Shoshana Wayne Gallery, Los Angeles, California. Selected Works from the Liz Taylor Series.

1991
Feature, NYC, NY. People in Hell Want Ice Water: More Paintings from the LIz Taylor Series.
Dennis Anderson Gallery, Antwerp, Belgium. Works on Paper from the Liz Taylor Series.
Witzenhausen/Meijerink, Amsterdam, The Netherlands.

1989
Feature, NYC, NY. Kathe Burkhart by Elizabeth Taylor.

1988
Feature, Chicago, Illinois and Greathouse, NYC, NY. Paintings from the Liz Taylor Series.


SELECTED GROUP SHOWS

2017
Kunsthalle Emden, Emden, Germany. The American Dream: American Realism 1945-2017.
EXILE, Berlin, Germany. Grotto Capitale.
Whitney Museum of American Art, NYC, NY. Fast Forward, Paintings from the 1980s.

2016
Cheim & Read, NYC, NY. The Female Gaze, Women Look at Men.
Art institute of Chicago, Chicago, Illinois. Permanent Collection.
Marlborough Gallery, NYC, NY. SMS SOS: Text, Texture, and Gesture.
The Meeting, NYC, NY. Mean Machine (Up Jumped the Devil).
Bergen College, Bergen, New Jersey. Art Votes.
Circus of Books, Los Angeles, California. Everything Must Go.

2015
Galerie Lumen Travo, Amsterdam, The Netherlands. Stills, a 3-person show.
EXILE, Berlin, Germany. Fake.

2014
Institute of Contemporary Art, Philadelphia, Pennsylvania. Readykeulous.
Mu.ZEE, Oostende, Belgium. De Zee.
CCA Andratx, Mallorca, Spain. Just Add Water!.

2013
Johannes Vogt Gallery, NYC, NY. Trouble Every Day.
Galleria in Arco, Turin, Italy. Femminile Plurale.
Contemporary Art Museum St. Louis, St. Louis, Missouri. Readykeulous.
New Museum, NYC, NY. 1993: NYC Experimental Jet Set Trash & No Star.
White Columns, NYC, NY. Cats in Residence.
Kathleen Cullen Fine Arts, NYC, NY. She.
Fales Library, New York University, NYC, NY. Not only this but new language beckons us.

2012
Kate Werble Gallery, NYC, NY. Buy My Bananas.
Dodge Gallery, NYC, NY. Twisted Sisters.
Andrew Edlin Gallery, NYC, NY. B-Out.
Munch Gallery, NYC, NY. Up Against It.
Participant Inc., NYC, NY. C24 Gallery, NYC, NY. Campaign.

2011
Schroeder Romero Gallery, NYC, NY. Crazy Lady.
Stedelijk Museum Zwolle, Zwolle, The Netherlands. She Me.
INVISIBLE-EXPORTS, NYC, NY. Readykeulous: The Hurtful Healer.
Ramis Barquet Gallery, NYC, NY. Cabaret.

2010
EXILE, Berlin, Germany. Lost Horizon.
Galerie Annie Gentils, Antwerp, Belgium. Der Himmel Uber Antwerpen.
Anna Kustera Gallery, NYC, NY. Nobody Gets to See the Wizard. Not Nobody. Not Nohow.

2009
Cheim & Read, NYC, NY. The Female Gaze.
Anna Kustera Gallery, NYC, NY. Objects of Desire.
Virgil de Voldere Gallery, NYC, NY. I Love the Benelux.
White Columns, NYC, NY. 40 Years, 40 Projects.

2008
Montehermoso Cultural Center, Vitoria-Gasteiz, Spain. The Furious Gaze.
Gallery 58, Jersey City, New Jersey. The Other Siders.

2007
Dumbo Arts Center, Brooklyn, New York. Sex in the City.
Derek Eller Gallery, NYC, NY. Neointegrity.
Rental, NYC, NY. Office Party.
White Box, NYC, NY. Rock and Roll Fantasy.
Galerie Lumen Travo, Amsterdam, The Netherlands. Icons.
LACE, Los Angeles County Exhibitions, Los Angeles, California. Shared Women.

2006
MoMA PS1, Long Island City, New York. Defamation of Character.
Paul Kasmin Gallery, NYC, NY. The Name of This Show is Not This is Gay Art Now.
Locus 010, Rotterdam, The Netherlands. Bemused, Bothered & Bewildered.
Participant Inc., NYC, NY. Ridykeulous.
Museum of Modern art, NYC, NY. Tomorrowland - CalArts in Moving Pictures.

2005
Barbara Gladstone, NYC, NY. The Armory Show.
Moti Hasson Gallery, NYC, NY. Viewfinder.
Trevi Flash Art Museum, Trevi, Italy. Verso una Grande Collezione.

2004
Nieuwe Vide, Haarlem, The Netherlands. Hosting.
Dumbo Arts Center, Brooklyn, New York. Heroes, Villains & Average Joes.
Mitchell Algus Gallery, NYC, NY. The F-Word.
Brooklyn Museum, Brooklyn, New York. Open House: Working in Brooklyn.

2003
Schroeder Romero Gallery, Brooklyn, New York. Decade.

2002
Momenta Art, Brooklyn, New York. Pop Patriotism.
Trevi Flash Art Museum, Trevi, Italy. Works from the Collection.
Momenta Art, Brooklyn, New York. Enough About Me.
Weatherspoon Art Museum, Greenville, North Carolina. Art on Paper.
Exit Art, NYC, NY. Reactions.
Dumbo Arts Center, Brooklyn, New York. Anxious.

2001
Arti et Amicitiae, Amsterdam, The Netherlands. Unbreakable.
De Branderij, Antwerp, Belgium. nav 911.
Roger Vandaele Editie, Antwerp, Belgium. Rustig en Opzichtig.

2000
S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium. Permanent Collection.
Aldrich Contemporary Art Museum, Ridgefield, Connecticut. Snapshot.
Baltimore Museum of Art, Baltimore, Maryland.
Roger Vandaele Editie, Antwerp, Belgium.
Parel, Amsterdam, The Netherlands. The Pink Show.
De Branderij, Antwerp, Belgium. Opening.
Dallas Museum of Art, Dallas, Texas. Two by Two.

1999
5 Years, London, England. The Blood Show.
Galerie de Lege Ruimte, Ghent, Belgium.
Walter Phillips Gallery, The Banff Centre for the Arts, Banff, Canada. The People's Plastic Princess.
S.M.A.K., Stedelijk Mueum voor Actuele Kunst, Ghent, Belgium. The Opening.

1998
Anna Kustera Gallery, NYC, NY. Drawing to an End.
Arti et Amicitiae, Amsterdam, The Netherlands. Frightful Paint.

1997
Art Kitchen, Amsterdam, The Netherlands. Cul(t) de Sac(re).
Galerie De La Tour, Amsterdam, The Netherlands. The Indoor Landart Program.
Exit Art, NYC, NY. Autoportrait.
Art Kitchen, Amsterdam, The Netherlands. Cool It.
Galerie Ijburg, Amsterdam, The Netherlands. Red Light District: Images of Desire.

1996
Art Kitchen, Amsterdam, The Netherlands. Hard Disk.
Groninger Museum, Groningen, The Netherlands. Printemps/Ete.
Arctic Foundation, Eindhoven, The Netherlands. De Huid van de Witte Dame.
Neuberger Museum of Art, Purchase, New York. Real Fake.
Espace Diogène, FRAC, Fonds Régional d'Art Contemporain, Pézenas, France. Loup y es tu?.
Anna Kustera Gallery, NYC, NY. Kickstart.
Jibby Beane, London, England. Through the Looking Glass.
Shillam and Smith, London, England. Irredeemable Skeletons.
Momenta Art, Brooklyn, New York. The Gaze.

1995
Caravanserai of Contemporary Art, Pescara, Italy. Fuori Uso.
Castelli Graphics, NYC, NY. Open Your Heart.
Burchfield Penney Art Museum, Buffalo, New York. Alternatives: 20 Years of Hallwalls 1975-95.
Arci Gay Centre, Venice, Italy. ConFigure.
Art Kitchen, Amsterdam, The Netherlands. Strange Fruit.
Lombard Fried Fine Arts, NYC, NY. Wheel of Fortune.
Artificial Gallery, San Francisco, California. Hole.

1994
UCLA Wight Art Gallery, Los Angeles, California. Bad Girls West.
Beurs van Berlage, Amsterdam, The Netherlands. A Propos Portret.
Trevi Flash Art Museum, Trevi, Italy. Medialismo.
The Drawing Center, NYC, NY. The Return of the Cadavre Exquis.
Helmond Museum of Art, Helmond, The Netherlands. NY/NL/XX.
New Langton Arts, San Francisco, California. Tiny Shoes.
Galliani Galleria, Genoa, Italy.
Galleria d'Arte Moderna, Bologna, Italy. Icastica.
Interart Center, NYC, NY. I, Myself & Me.
Ponte Pietra Galleria, Verona, Italy. Four Conceptual Artists.
Artemisia Gallery, Chicago, Illinois. A Family Matter: Confronting Domestic Violence.
White Columns, NYC, NY. Update.
Art Multiple, Dusseldorf, Germany.
4 Walls, Brooklyn, New York. Scandal.
Cultuurcentrum Brugge, Bruges, Belgium. Bad Girls.

1993
Exit Art, NYC, NY. 1920: The Subtlety of Subversion.
Washington Project for the Arts, Washington, DC. Beyond Loss: Art in the Era of AIDS.
La Biennale di Venezia, Venice, Italy.
Bloom Gallery, Amsterdam, The Netherlands. Drawings.
Museum van Hedendaagse Kunst, Antwerp, Belgium. Vierkant.
DeBeyerd Museum, Breda, The Netherlands. Gent Te Gast.

1992
4 Walls, Brooklyn, New York. Travel.
Institute of Contemporary Art, London, England.
Air de Paris, Nice, France. Tattoo Collection.
Daniel Buchholz, Cologne, Germany.
Andrea Rosen Gallery, NYC, NY.
Wexner Center for the Arts, Columbus, Ohio. Re:Framing Cartoons.
CASCO Foundation, Utrecht, The Netherlands. The Red Light Show.
Art Center College of Design, Pasadena, California. Hollywood, Hollywood.
Amy Lipton Gallery, NYC, NY. Shape Shifters.
Sally Hawkins Gallery, NYC, NY. Ballots or Bullets.
Independent Curators International, NYC, NY. From Media to Metaphor: Art About AIDS.

1991
Hillwood Art Museum, Long Island University, Brookville, New York. Original Sin.
MoMA PS1, Long Island City, New York. PS1 Studio Artists Exhibition.
Fiction/Nonfiction, NYC, NY. Painting Culture.
Right Bank, NYC, NY. Blood, Guts & Glory.

1990
Ground Zero, NYC, NY. The Plague Years.
White Columns, NYC, NY. Brut 90.
Barbara Toll Gallery, NYC, NY. In Her Image.
Garnet Press Gallery, Toronto, Canada. Sex & Language.
Simon Watson Gallery, NYC, NY. Total Metal.

1989
White Columns, NYC, NY.
Security Pacific Gallery, Costa Mesa, California. Media Talk.
Feature, NYC, NY. Romancing the Stone.
Hallwalls, Buffalo, New York. Vulgar Realism.

1988
Littlejohn Smith Gallery, NYC, NY. Billboards.
White Columns, NYC, NY. 10 Painters.
Jeffrey Neale Gallery, NYC, NY. A Romantic Distance.

1987
Feature, Chicago, Illinois. Head Sex.
Pleiades Gallery, NYC, NY. Horizons.
Sorkin Gallery, NYC, NY. Appearances.

1986
LACE, Los Angeles County Exhibitions, Los Angeles, California. TV Generations.
ABC NO RIO, NYC, NY. Conspicuous Consumption.
Tom Awning Gallery, NYC, NY. Small Works National.

1985
Attack Gallery, Los Angeles, California. Imagine a Future Peace.
Los Angeles Institute of Contemporary Art, Los Angeles, California.

1984
LACE, Los Angeles Country Exhibitions, Los Angeles, California. Emblem.
ZTZU Gallery, Los Angeles, California. For Love or Money.

1983
Orlando Gallery, Los Angeles, California.

1981
Westwood Center for the Arts, Los Angeles, California


SELECTED BIBLIOGRAPHY

Eckardt, Stephanie, See Elizabeth Taylor As You've Never Seen Her Before: Through the Eyes of the Artist Who's Painted Her—Often Profanely—for More Than 30 Years, W MAGAZINE, 7 January 2018.

Adcroft, Patrick, Kathe Burkhart, From the Liz Taylor Series, VICE.COM, 5 January 2018.

Press, Clayton, Kathe Burkhart From The Liz Taylor Series At Mary Boone Gallery (5th Avenue), New York, FORBES.COM, 4 January 2018.

Rosenfield, Jason, Fast Forward: Paintings from the 1980s, THE BROOKLYN RAIL, 1 March 2017.

Wolin, Joseph R., Review: Fast Forward: Paintings from the 1980s, TIMEOUT.COM, 27 February 2017.

Lehrer, Adam, The Whitney Exhibition “Fast Forward: Paintings from the 1980s” Reinforces the Purpose of Painting, FORBES MAGAZINE, 24 February 2017.

Stevenson, Jonathan, A better bonfire at the Whitney: Painting from the 1980s, TWO COATS OF PAINT, 23 February 2017.

Staff, Art and Museums in NYC This Week, THE NEW YORK TIMES, 23 February 2017.

Smith, Roberta, Painting from the 1980’s, When Brash Met Flash, THE NEW YORK TIMES, 9 February 2017.

Teeman, Tim, The Dark Trump Echoes in 1980s Art, THEDAILYBEAST.COM, 27 January 2017.

Smith, Roberta, Art; Macho and Money: The ‘80s Revisited, THE NEW YORK TIMES, 22 January 2017.

Bongard, Tamara, Elle calque sa vie sur Liz Taylor, LA LIBERTÉ, 19 March 2016.

Harris, Jane, In the Studio: Kathe Burkhart, ART IN AMERICA, March 2016, pp. 128-137.

Lovay, Balthazar, Kathe Burkhart, FLASHART, January/February 2016, pp. 66-75.

Boggio, Sara, Provocazioni di una cattiva ragazza, ARTE, December 2014, pp. 100-104.

Boggio, Sara, Kathe Burkhart, artista e narratrice. Una nuova raccolta di racconti, ARTE, September 2014.

Baker, R.C., New Museum Takes Us Right Here Right Then, OSMOS MAGAZINE, 20 February 2013.

Considine, Augustin, New Museum Looks Back at 1993, ART IN AMERICA, 18 February 2013.

Cotter, Holland, A Time of Danger and Pain Two Decades Ago, THE NEW YORK TIMES, 14 February 2013.

Fateman, Johanna, Campaign, ARTFORUM, Summer 2017.

Denson, G. Roger, Nomads Occupy the Global Village: Left Political Art Timeline, 2001-2012, THE HUFFINGTON POST, 1 May 2012.

Denson, G. Roger, When Walls Come Falling Down: Left Political Art Timeline, 1989-2000, THE HUFFINGTON POST, 16 April 2012.

Graham, Annabel, Suck them in with beauty, knock them out with truth: the art of Kathe Burkhart, PAS UN AUTRE, March 2012.

Denson, G. Roger, The Liz Taylor Paintings of Kathe Burkhart: Picturing the Trials and Tribulations of a Proto-Feminist, THE HUFFINGTON POST, 9 April 2011.

Kelbaugh, Casey, Scene City: An Art Party at the Wooly, THE NEW YORK TIMES, 7 March 2011.

Saltz, Jerry, The Female Gaze, NEW YORK MAGAZINE, 24 August 2009.

Kunitz, Daniel, The Female Gaze, VILLAGE VOICE, 18 August 2009.

van den Bergh, Jos, Kathe Burkhart, ARTFORUM, February 2009, p. 205.

Vargas, Whitney, Face Off, ELLE, September 2008, p. 216.

Higgie, Jennifer, The Furious Gaze, FRIEZE, June 2008.

Mayerson, Keith. Kathe Burkhart, MODERN PAINTERS, March 2008, p. 92.

Ilegems, Paul, Kathe Burkhart: “Liz Taylor Series” Continued, THEARTSERVER.ORG, 21 December 2008.

Crespo, Txema G., La vision de la mujer sacude Montehermoso, EL PAIS, 26 January 2008.

Pollack, Barbara, Review: Sex & the City, ARTNEWS, January 2008.

Cotter, Holland, Sex & the City, THE NEW YORK TIMES, 23 November 2007.

Schwendener, Martha, When Johnny Comes Marching Home Again, THE NEW YORKER, 19 November 2007.

Curtin, Brian, The Bitch is Back: An Interview with Kathe Burkhart, ART SIGNAL, 23 October 2007, pp. 27-33.

Cotter, Holland, NeoIntegrity, THE NEW YORK TIMES, 9 August 2007.

Schwendener, Martha, Art in Review; Kathe Burkhart, THE NEW YORK TIMES, 8 June 2007.

Rosen, Kay, Top 10, ARTFORUM, April 2007.

Saltz, Jerry, Nonspecific Objects, MODERN PAINTERS, March 2007, pp. 32-34.

Brooks, Amra, Must See Art, L.A. WEEKLY, 7 March 2007.

Smith, Roberta, Menace, Glitter and Rock in Visions of Dystopia, THE NEW YORK TIMES, 29 December 2006.

Keijer, Kees, Feministe met knallende penseel, HET PAROOL, 12 May 2006, p. 21.

Frank, Elena, Portrait Gallery: From Hollywood Icon to Red Light Hard On, PLAYGIRL, February 2006, p. 32.

Indiana, Gary, Kathe Burkhart, ART IN AMERICA, January 2006, p. 115.

Shapiro, Daria Brit, Give it to Me, Baby, NEW YORK ARTS, October 2005.

Rimanelli, David, Scene and Herd: Furry Friends, ARTFORUM, 13 March 2005.

Schambelan, Elizabeth, Kathe Burkhart, ARTFORUM, March 2005.

Maine, Stephen, Dateline Brooklyn, ARTNET.COM, 15 December 2004.

Schwendener, Martha, Critics’ Picks, ARTFORUM.COM, December 2004.

Bockington, Horace, Extra Open, NY ARTS, July/August 2004.

Callahan, Maureen, Hot List, NEW YORK POST, 11 July 2004.

Levin, Kim, Choices, VILLAGE VOICE, July 2004.

Pepe, Sheila, A Feminist Reminder, GAY CITY NEWS, 27 May 2004.

Schwendener, Martha, Women Beware Women, TIME OUT NEW YORK, 4-11 December 2003.

Rubenstein, Raphael, Whose 1980s?, ART IN AMERICA, December 2003, p. 37.

Mar, Alex, The Art of the Deal, NEW YORK MAGAZINE, 1 December 2003, pp. 44-47.

Pollack, Barbara, Kathe Burkhart, ART IN AMERICA, October 2003, pp. 131-132.

Cotter, Holland, Kathe Burkhart, THE NEW YORK TIMES, 28 March 2003.

Levin, Kim, Choices, VILLAGE VOICE, 19 February 2003.

Robinson, Walter, Weekend Update, ARTNET.COM, 19 February 2003.

Cotter, Holland, Where Witty Meets Gritty, THE NEW YORK TIMES, 15 November 2002.

Schwendener, Martha, Pop Patriotism, ARTFORUM, October 2002.

Noland, Cady, Artists Curate, ARTFORUM, January 2002, pp. 106-107.

Cook, Jim, Kathe Burkhart, FLASHART, January/February 2000.

Fiers, Els, Beftekkel?, KNACK, 4 December 1999, p. 81.

Fragnito, Skawennati, Looking at the Doll as Archetype, VANCOUVER SUN, 30 October 1999.

Finstad, Kristine, Shorn Heads and Skin Turbans, CALGARY STARLIGHT, 21 October 1999.

Wilson, Michael, The Blood Show, ART MONTHLY, September 1999, pp. 25-27.

Schwendener, Martha, Review, FLASHART, April 1998.

Cotter, Holland, Review, THE NEW YORK TIMES, 1 December 1997.

Williams, Gilda, Irredeemable Skeletons, ART MONTHLY, May 1997.

Borka, Max, Van stomme blondjes en zwarte feeksen, STANDAARD, 14 April 1997.

Westen, Mirjam, Liz Taylor als zwartharige bad girl, OPZIJ, October 1995, p. 110.

Straatsma, Erna, Tegen de stroom in, dus een “bad girl”, LEIDISCH DAGBLAD, 16 September 1995, p. 15.

Panzera, Mauro, Caravanseraglio Arte Contemporanea, FLASH ART ITALIA, Summer 1995, pp. 62-63.

Meneghelli, Luigi, Four Conceptual Artists, FLASH ART ITALIA, December 1994, p. 108.

Lambrecht, Luk, Square, FLASHART, May/June 1994, p. 78.

Shaw, Stephanie, Jail of Gender, CHICAGO READER, 6 May 1994.

Lodi, Simona, Kathe Burkhart, TEMA CELESTE, Spring 1994, p. 64.

Drohojowska-Philip, Hunter, And When They Were Bad, LOS ANGELES TIMES, 16 January 1994.

Moore, Catriona, Cunts with Attitude, ART & TEXT, September 1993, pp. 34-37.

Hess, Elizabeth, No Way Out, VILLAGE VOICE, 22 February 1993.

Denson, Roger, The Abortion Project, JOURNAL OF CONTEMPORARY ART, 1993, pp. 123-133.

Cameron, Dan, Don’t Look Now, FRIEZE, 1992.

Troncy, Eric, Being Positive is the Secret of the 90’s, FLASHART, May 1992, p. 96.

Coeleweij, Leontine, Kathe Burkhart & Elise Tak, METROPOLIS, February 1992.

Kahn, Eve M., The Word’s Turn: Urban Poets Re-emerge, THE NEW YORK TIMES, 31 January 1992, pp. C21-C24.

Myers, Terry, New York in Review, ARTS MAGAZINE, September 1991, p. 7.

Lieberman, Rhonda, Review: The Abortion Project, FLASHART, Summer 1991, pp. 133-134.

Atkins, Robert, Scene & Herd, VILLAGE VOICE, 16 April 1991.

Kontova, Helena, Bad Girl Made Good, FLASHART, November/December 1990, pp. 108-111.

Cook, Jim, Kathe Burkhart: Miss Thing, WILD!, Autumn 1990.

Lychuk, Donna, Review, C, Summer 1990, p. 68.

Hume, Christopher, Big Apple Artists Bring Bushel of Style, TORONTO STAR, 16 February 1990, p. D19.

Decter, Joshua, New York in Review, ARTS, December 1989, pp. 99-100.

Rimanelli, David, Review, ARTFORUM, November 1989.

Staff, Goings on About Town, THE NEW YORKER, 25 September 1989, p. 12.

Curtis, Cathy, Media Talk at Bank’s Gallery Makes Some Strong Comments, LOS ANGELES TIMES, 18 September 1989, p. 11.

Artner, Alan, Collection Certain to Offend All, CHICAGO TRIBUNE, 23 June 1988.

Cooper, Dennis, Review, ARTFORUM, Summer 1988, pp. 139-140.

Cooper, Dennis, Friends at Evening: At the Mapplethorpe Opening, SEVEN DAYS, pp. 48-49.

Mahoney, Robert, Billboards, NY PRESS, 29 July 1988.

Morgan, Robert, Billboards, ARTSCRIBE, November/December 1988, p. 85.

Porges, Timothy, Chicago, COMTEMPORANEA, July/August 1988, p. 32.

Artner, Alan, The Subject is Sex and the Style is Cerebral, CHICAGO TRIBUNE, 6 August 1987.

Gessert, George, Review: From Under the Eight Ball, NORTHWEST REVIEW, Winter 1987, pp. 124-127.

Leonhart, Mark, Head Sex, WINDY CITY TIMES, 23 July 1987, pp. 19-20.

LaPalma, Marina, Beware the Grids, ARTWEEK, 29 March 1986, p. 1.

Rugoff, Ralph, Artists on TV, L.A. WEEKLY, 7-13 March 1986, p. 51.



For a full biography please contact the gallery.