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Born in Brooklyn,
New York, 1969.
Education: Centro Lorenzo Di Medici, Florence, Italy, 1993.
School of Visual Arts, NYC, NY, B.A., 1994.
Lives in New York City.
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| 1995 |
Booty, Basilico Fine
Arts, NYC, NY.
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| 1996 |
Gateway to Eternity,
Basilico Fine Arts at the Gramercy International Art Fair, NYC,
NY.
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| 1998 |
Solid, Basilico Fine
Arts, NYC, NY.
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| 2000 |
Trunk Show, Visionaire,
NYC, NY.
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| 2002 |
True Luxury, Galleria
Cardi & Co., Milan, Italy.
A Mobile Home & Other Necessities, Mary Boone Gallery, NYC,
NY.
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| 2004 |
Maze, Traps & Runways,
Mary Boone Gallery, NYC, NY.
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| 2005 |
Mary Boone Gallery, NYC,
NY.
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| 1998 |
Isla: The Island Feeling,
Centro Andaluz de Arte Contemporanio junta de Andalucia Consejeria
de Cultura, Seville, Spain.
Transatlantico, Centro Atlantico de Arte Moderno, Las Palmas
de Gran Canaria, Spain.
Construction Drawings, P.S. 1 Contemporary Art Center, Long
Island City, New York.
Deep Thought, Basilico Fine Arts, NYC, NY.
Hedge: Between Time and Intent, Thomas Healy Gallery, NYC,
NY.
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| 2000 |
Toys, Kagan Martos
Gallery, NYC, NY.
Greater New York, P.S. 1 Contemporary Art Center, Long Island
City, New York.
da Warhol al 2000 - Gian Enzo Sperone: 35 Years of Collecting
European and American Art, Palazzo Cavour, Turin, Italy.
Hand-Made in the U.S.A. , Sprovieri, London, England.
American Bricolage, Sperone Westwater Gallery, NYC, NY.
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| 2002 |
Ordung im Zwielicht,
Wurttembergischer Kunstverein Stuttgart, Stuttgart, Germany.
New Hotels for Global Nomads, The Smithsonian's Cooper-Hewitt,
National Design Museum, NYC, NY.
Acquiring Taste, Real Art Ways, Hartford, Connecticut.
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| 2003 |
Home Sweet Home,
Aarhus Kunstmuseum, Aarhus, Denmark.
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| 2003 |
The Dreamland Artist Club,
Creative Time, Coney Island, New York.
Terminal 5, Eero Saarinen Terminal Building, John F. Kennedy
International Airport, NYC, NY.
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Smith, Roberta, Toland
Grinnell at Basilico Fine Arts, THE NEW YORK TIMES, 22 September
1995, p. C31.
Halle, Howard, Toland Grinnell, Booty, TIME OUT NEW YORK,
27 September 1995, p. 34.
Rimanelli, David, Toland Grinnell, Booty, THE NEW YORKER,
9 October 1995, p. 19.
Van der Walle, Mark, Toland Grinnell at Basilico Fine Arts,
ARTFORUM, December 1995, pp. 88-89.
Bayliss, Sarah, Grinnell's Island, WORLD ART, December 1996,
pp. 18-19.
Cotter, Holland, Toland Grinnell at Basilico Fine Arts, THE
NEW YORK TIMES, 20 February 1998, p. E37.
Avgicos, Jan, The look of art at the end of the century,
SCULPTURE, April 1998, pp. 48-52.
Caniglia, Julie, Toland Grinnell - Solid, ARTFORUM, Summer
1998, p. 137.
Koplos, Janet, Toland Grinnell - Solid, ART IN AMERICA, November
1998, p. 128.
Holgarf, Geoffrey, 1999's Michelangelo: A Man with a Brand,
THE NEW YORK OBSERVER, 2 August 1999, p. 25.
Lesser, Guy, Arts & Craft: Contemplating the work of Toland Grinnell
and Tom Sachs, MADISON, January/February 2000, pp. 62-69.
Tsao, Calvin, Box Special, V MAGAZINE, Number 7, September
2000.
Wolff, Zoe, Toy Glory, TIME OUT NEW YORK, 16 November 2000,
p. 45.
Staff, Toland Grinnell at Visionaire, THE NEW YORKER, 25
December 2000, p. 25.
Levi, Elisheva, Room in a Box, ARCHITECTURAL RECORD, September
2001, pp. 90-95.
Belcove, Julie, Out of the Box, W MAGAZINE, February 2002,
p. 68-69.
Halley, Peter, Interview: Toland Grinnell, INDEX, February/March
2002, pp. 56-65.
Smith, Roberta, Toland Grinnell, THE NEW YORK TIMES, 13 September
2002, p. E31.
Dailey, Meghan, Toland Grinnell, ARTFORUM, November 2002,
pp. 184-185.
Leffingwell, Edward, Toland Grinnell at Mary Boone, ART IN
AMERICA, December 2002, pp. 108-109.
Honigman, Ana Finel, Defining Cultural Value: A Conversation with
Toland Grinnell, SCULPTURE, November 2003, pp. 48-53.
Kerwin, Jessica, Just in Case, WOMEN'S WEAR DAILY, 8 January
2004, p. 4.
Ribas, João, Toland Grinnell, ART REVIEW, April 2004,
p. 101.
Heartney, Eleanor, Toland Grinnell at Mary Boone, ART IN AMERICA,
May 2004, p. 152.
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