Mary Boone Gallery
Toland Grinnell
Born in Brooklyn, New York, 1969.
Education: Centro Lorenzo Di Medici, Florence, Italy, 1993.
School of Visual Arts, NYC, NY, B.A., 1994.
Lives in New York City.
Solo Shows
1995 Booty, Basilico Fine Arts, NYC, NY.
1996 Gateway to Eternity, Basilico Fine Arts at the Gramercy International Art Fair, NYC, NY.
1998 Solid, Basilico Fine Arts, NYC, NY.
2000 Trunk Show, Visionaire, NYC, NY.
2002 True Luxury, Galleria Cardi & Co., Milan, Italy.

A Mobile Home & Other Necessities, Mary Boone Gallery, NYC, NY.

2004 Maze, Traps & Runways, Mary Boone Gallery, NYC, NY.

2005 Mary Boone Gallery, NYC, NY.

Group Shows
1998 Isla: The Island Feeling, Centro Andaluz de Arte Contemporanio junta de Andalucia Consejeria de Cultura, Seville, Spain.

Transatlantico, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain.

Construction Drawings, P.S. 1 Contemporary Art Center, Long Island City, New York.

Deep Thought, Basilico Fine Arts, NYC, NY.

Hedge: Between Time and Intent, Thomas Healy Gallery, NYC, NY.
2000 Toys, Kagan Martos Gallery, NYC, NY.

Greater New York, P.S. 1 Contemporary Art Center, Long Island City, New York.

da Warhol al 2000 - Gian Enzo Sperone: 35 Years of Collecting European and American Art, Palazzo Cavour, Turin, Italy.

Hand-Made in the U.S.A. , Sprovieri, London, England.

American Bricolage, Sperone Westwater Gallery, NYC, NY.
2002 Ordung im Zwielicht, Wurttembergischer Kunstverein Stuttgart, Stuttgart, Germany.

New Hotels for Global Nomads, The Smithsonian's Cooper-Hewitt, National Design Museum, NYC, NY.

Acquiring Taste, Real Art Ways, Hartford, Connecticut.
2003 Home Sweet Home, Aarhus Kunstmuseum, Aarhus, Denmark.
2003 The Dreamland Artist Club, Creative Time, Coney Island, New York.

Terminal 5, Eero Saarinen Terminal Building, John F. Kennedy International Airport, NYC, NY.
Bibliography
Smith, Roberta, Toland Grinnell at Basilico Fine Arts, THE NEW YORK TIMES, 22 September 1995, p. C31.

Halle, Howard, Toland Grinnell, Booty, TIME OUT NEW YORK, 27 September 1995, p. 34.

Rimanelli, David, Toland Grinnell, Booty, THE NEW YORKER, 9 October 1995, p. 19.

Van der Walle, Mark, Toland Grinnell at Basilico Fine Arts, ARTFORUM, December 1995, pp. 88-89.

Bayliss, Sarah, Grinnell's Island, WORLD ART, December 1996, pp. 18-19.

Cotter, Holland, Toland Grinnell at Basilico Fine Arts, THE NEW YORK TIMES, 20 February 1998, p. E37.

Avgicos, Jan, The look of art at the end of the century, SCULPTURE, April 1998, pp. 48-52.

Caniglia, Julie, Toland Grinnell - Solid, ARTFORUM, Summer 1998, p. 137.

Koplos, Janet, Toland Grinnell - Solid, ART IN AMERICA, November 1998, p. 128.

Holgarf, Geoffrey, 1999's Michelangelo: A Man with a Brand, THE NEW YORK OBSERVER, 2 August 1999, p. 25.

Lesser, Guy, Arts & Craft: Contemplating the work of Toland Grinnell and Tom Sachs, MADISON, January/February 2000, pp. 62-69.

Tsao, Calvin, Box Special, V MAGAZINE, Number 7, September 2000.

Wolff, Zoe, Toy Glory, TIME OUT NEW YORK, 16 November 2000, p. 45.

Staff, Toland Grinnell at Visionaire, THE NEW YORKER, 25 December 2000, p. 25.

Levi, Elisheva, Room in a Box, ARCHITECTURAL RECORD, September 2001, pp. 90-95.

Belcove, Julie, Out of the Box, W MAGAZINE, February 2002, p. 68-69.

Halley, Peter, Interview: Toland Grinnell, INDEX, February/March 2002, pp. 56-65.

Smith, Roberta, Toland Grinnell, THE NEW YORK TIMES, 13 September 2002, p. E31.

Dailey, Meghan, Toland Grinnell, ARTFORUM, November 2002, pp. 184-185.

Leffingwell, Edward, Toland Grinnell at Mary Boone, ART IN AMERICA, December 2002, pp. 108-109.

Honigman, Ana Finel, Defining Cultural Value: A Conversation with Toland Grinnell, SCULPTURE, November 2003, pp. 48-53.

Kerwin, Jessica, Just in Case, WOMEN'S WEAR DAILY, 8 January 2004, p. 4.

Ribas, João, Toland Grinnell, ART REVIEW, April 2004, p. 101.

Heartney, Eleanor, Toland Grinnell at Mary Boone, ART IN AMERICA, May 2004, p. 152.


Mary Boone Gallery